2009
05.30

Dedicted - Argonauts

Dedicted’s Myspace
Dedicted’s website

Living in a rather small city, with a population no more than 75k and a reasonably old one (retired people come here to die … or at least relax). I can’t say there isn’t a big selection of bands to start with. But often that doesn’t mean there is less chance of you telling others they have to hear this great band hailing from your hometown. Because this is exactly what I’m doing right here.

Dedicted aren’t exactly an unknown in the Belgian metal scene, tho it took 9 years for the band to release their first album, this on Shiver Records. It’s hard to describe this album, it’s influenced by math metal such as Meshuggah, melodic death and metalcore, or at least that’s how I experience it. It features eight tracks which isn’t a lot, but the songs ranging from 4.20 to 6.30 minutes does fill the shiny plastic disc well.

Dedicted have a fresh sound, it’s more than just those influences I’ve mentioned before. Math riffs switch often to less technical and more melodic ones as the harsh but sharp grunts switch for melodic vocal lines of the drummer. Variation is something I something I appreciate a lot and Dedicted delivers well on that front, they even are not afraid to throw in some short, simple but good guitar solo’s.

All in all this is a great debut album, my opinion of this band may have been boosted as I do feel proud these guys are from my town but that shouldn’t deter you from acquiring it, especially if you are a fan of math/tech metal or if you love it when bands combine different styles successfully. However, it might take you some time to fully appreciate it. The clean vocals by the drummer at first for me, sounded monotonous, lacking… but it grew on me. To be honest though, I would find it no shame if someone else was found to do the clean vocals on future albums because I fear it could be holding this band back from breaking through on a larger scale.

PJ,

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2009
05.28

New design

As returning viewers might have noticed themselves, I’ve just applied a new design to the site. One that is my own from scratch.

Tho it needs a lot a of tweaking,  since what its a bit of spaghetti what WordPress generates here…, over time I hope to iron out most imperfections but the real goal is still a complete selfmade application where I have full control over everything.

Hope you like it,

PJ

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2009
05.28

Artist – Dead By April
Release – Losing You
From – Västra Götalands län, Sweden
www.deadbyapril.com
www.myspace.com/dbaswe

Nik say’s…
Starting off with a piano melody reminiscent of Evanscence then chuck in a bit of the healthier side of Enter Shikari with poppy synth and a hard hitting beat and you have a fitting introduction to ‘Losing You’.
I feel the desperation that is set through the song and feel drawn along till the end which, even at four minutes, almost feels over too soon. The track is quite straight forward in that the structure is built of just verses and chorus, yet does not does not bore or feel empty. A great sound to hear come out from Sweden. Their MySpace has some great tour videos so go see!

★★★✩✩

Tina say’s…
The enthralling opening keys of ‘Losing You’ lead us into a heartfelt track that showcases a nice, even mix of clean vocals and screaming. I think it is this inclusion of both types of vocal that could see this track crossover to have more commercial success. Despite the song having such a simple structure, the emotion captured within easily holds your attention. If like me, you like this track, definitely go check out Dead By April’s Myspace. Their other offerings won’t disappoint!

★★★★✩

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2009
05.28
Artist – Korpiklaani
Release – Karkelo, 26th June
From – Finland

www.korpiklaani.com
www.myspace.com/korpiklaani

Nik say’s…
Vodka kicks in straight to the point; “vodka!”. I love vodka, and I love this band and I know what they’re about, anthemic folk metal praise to drink! The music has a great formula of feel good melodies, chant along lyrics and dance along rhythms. They are now on the 6th studio release, Karkelo under the Korpiklaani name and take pride in their tale from a small time band with jobs to their current stature. I imagine seeing this band would be one of those great occasions where everyone would be dancing together and having a laugh, cups in the air, beaming smiles and singing along! A must see band on my list because this music is just pure happy fun energy!

★★★★✩

Tina say’s
Korpiklaat are clearly folk-metal through and through. From their outfits to their music. Both tracks here are quite simply jolly, feel-good tracks with solid, anthemic qualities. You can’t help but bounce along to their music and warble along to their lyrics. Any lover of folk-metal should definitely check out Korpiklaat, who for me, are folk-metal at their best.
As Nik said, they are definitely one to look out for live, I imagine their gigs are happy and energetic with plenty of dancing and singing along!

★★★★✩

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2009
05.25

Artist – MiLLS
Gig – Rock City Basement, Nottingham, Thursday May 21st 09

http://www.myspace.com/millsrocks

Tina says…

From the moment MiLLS start playing, it’s clear to see how passionate they are about their music. So what if the room is half empty, these guys are here to have a good time, and their efforts are rewarded when halfway through the set, the room gradually fills up with an intrigued and captivated audience.

The band storm their way through a short set, squeezing in as many tracks as possible. Opening with the awesome, high-powered ‘Exhaust’ really kickstarts their set as each song just flows into the next with ease. You’d find it hard to believe that as a band they only have as little as 12 gigs under their belt thus far. They throw out an impressive cover of ‘I Remember’ originally by Deadmau5 and an equally rocking cover of Sting’s ‘Faith’ and still find time to squeeze in a bit of promotion for their upcoming single ‘Hello Mellow’, an incredibly catchy track with a sound reminiscient of the Foo Fighters.

I would definitely recommend checking MiLLS out as a live performance and look forward to hearing their debut album offering later in the year.

★★★★✩

‘Hello Mellow’ released July 20th via iTunes and 7Digital

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2009
05.21
Artist – Great Imitation
Release – An Imitation Party (EP)
From – Leicester, UK

If Nostradamus had been in possession of just a little foresight, he’d have used his predictive capabilities properly; instead of prophecising all that apocalyptic, doom laden hoopla, he would have focused his talent for divination on the world of lite-entertainment; specifically the pop-charts & had that been the case, then it’s an incontrivertble possibility that ‘Les Prophecies’ might have featured a chapter called Great Imitation.

Nik say’s…
My first exposure to the Great Imitation (will now be referred to as GI) was supporting my own band, Badaxe, earlier this year. The two piece brought down their CD which was played earlier on in the night, and I truly did not understand why they were billed. Acoustic rap from a tubby guy and Joe90?! Well the second GI step on the stage, it is instantly filled with presence and an aura truly magical and rare. The onstage antics and sweat is probably the main attraction to GI rather than the music, but this does go hand in hand for the band. They instantly trap you, allowing the lyrical content to grip you, and if it doesn’t, front vocalist, James, certainly will grip you, literally!

Standing behind a mic stand will only be a sight for guitarist, Ryan, as James has more than stage presence, his crowd interaction, dare I say it, would be a challenge for even Freddy Mercury to match. GI gigs are dubbed ‘parties’ and the atmosphere certainly confirms this. Most songs will either have you singing along or clapping along, either way you’ll definitely be dancing along!
The band have barely been in existence a year and a big buzz is really snowballing for them. To add to this GI now sport a full band. Initially I was a little dubious as I quite liked the act acoustically, this uncertainty instantly flew out the window upon their first performance as a four piece. I was stunned, which is outstanding for a band that already amazes! The sound feel so full with a solid rhythm from all.

The first EP from the band is a great effort to start with, though recorded before the addition of band members, so the next EP will certainly be a release to look forward to. I especially like the timbre of Ryan’s voice, the vocals from both have been recorded well and, providing there is a good sound system, live they will have you smiling muchly. Track’s to look out for live ‘real Men Hit Things’ and recorded ‘Stay Gold Ponyboy’.

EP – ★★★✩✩
Live – ★★★★★

Tina say’s…
I cast my mind back to last December. A new two-piece band appeared on the stage at my local. A guy I went to school with weilding an acoustic guitar and a slightly camp Russell Brand/Noel Fielding-esque frontman. I don’t think anyone could have predicted what the next thirty minutes or so would entail. By the end of their set I had laughed so much I cried and I actually had goosebumps. And so began my obession with Great Imitation.

Since then I have seen them countless times and have never been disappointed with their performance. More recently they have increased from a two to a four-piece band (adding a drummer and bassist into the mix). Every single performance is awash with sheer energy, comedy, enthusiasm and sweat(!) as the band go from strength to strength.

‘An Imitation Party’ is a fantastic debut EP, perfectly illustrating what the band are about and it brilliantly illuminates the outstanding potential of Great Imitation. James’ intelligent word-smithery is perfectly complimented by Ryan’s memorable, choral melodies.

‘Poisoned Kisses at the Village Fete’ is a fantastic foot-tapping, head-bopping opening track that is guaranteed to have you singing along. ‘If Carpet Man Don’t Dance, Carpet Man Don’t Eat’ (aka ‘Incompetent Earth, Wind and Fire covers band with Bernard Manning on Vocal’s for those familiar with the band’s live shows) is my personal favourite. From the very first time I heard it I just fell in love with the chorus. ‘Crutches’ introduces us to a spell-binding melancholy sound that is nonetheless just as captivating. No Great Imitation CD would be complete without the anthemic ‘Stay Gold Ponyboy’ which is very much a firm favourite amongst fans. ‘Real Men Hit Things’ is a spine-tingling display of a more serious side to the band as they explore the dark subject of domestic violence. Finally ‘Wage Slaves of the World Unite’ is a taste of real life that I think we can all relate to!

From the beginning, I’ve always been a huge Great Imitation fan. A band that are difficult to define, they can’t really be boxed into a genre. Listening to their CD and seeing them live are two completely different experiences and I heartily recommend that you do both!

EP – ★★★★★
Live – ★★★★★

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2009
05.19

Spoil EngineThe title leaves little to the imagination, Spoil Engine,  a band of my homeland I’ve come to love (the band more than the country) signed a deal for their new album ‘Antimatter’ which I’ve been waiting on for a while now.

Not only is this good news because a band I love signed to a label with a lot of artists I like aswel, but it’s the first belgian band to sign to RR in 20 years. If you know me, chances are you’ve heard me complain on how little attention belgian acts get in the international metalscene. Yeah sure there are bands like Aborted who do well but that’s not exactly my cup of tea. Anyway hence why this news cheers me up as much, there might finally be a movement towards more attention to the .be metal scene as there are in my opinion enough bands that are more than worth it.

Spoil Engine myspace

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2009
05.17
Artist – Electrical Language (formally The Up, Darren Jones Band)
Release – 2009 Demo
From – Leicestershire, UK

www.myspace.com/theelectricallanguage

Nik say’s…
Here lies a great act just waiting to be discovered! Still a fairly new band to the scene and needing a few more gigs under the belt to build some confidence, but getting to a great start with venues such as The Musician in Leicester.
Walking on stage, the three timid guys don’t strike you as a band, but when that first chord strikes and Darren starts singing, all pauses. The demo displays tones of Starsailor and James Morrison mixed with some country slides, whilst live I get more of a feel of Eric Clapton for the guitar. I like the composure of the tracks and it would definitely be great to see these guys work with a good producer for a more advanced recording in the future. The band has the sound for a live performance, especially with Darrens striking voice, so some summer gigs and festivals will give them the boost to fill the stage to their potential.

Demo – ★★★✩✩
Live – ★★★✩✩✩

Tina say’s…
I think the best way to describe the sound of Electrical Language is “easy like Sunday morning”. Their songs are catchy, mellow and pleasing. The band’s demo perfectly captures what they have to offer as a country/indie/rock group and bears similarities to the likes of Pete Yorn, Ryan Adams and Andrew Bird. Darren’s vocals are quite simply delicious and it is an overall very easy to listen to CD.

Though their live shows lack a sense of captivating entertainment, Electrical Language could most definitely provide the perfect summer soundtrack to those long warm evenings sitting in a field having a cheeky cider.

Demo – ★★★★✩
Live – ★★★✩✩

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2009
05.16
Artist – Sanguine
Release – Live Consume Drive (EP), April 2009
From – Exeter, UK

www.sanguineband.com
www.myspace.com/sanguineband

After a string of raging performances and stunning reviews, Sanguine quickly developed a reputation for energetic and intimidating live shows. This impact was not just restricted to audiences; other bands were left stunned that a female fronted act could carve something new into the alternative rock and metal scene. On two occasions the headlining bands refused to follow Sanguine’s show.

Nik says…
I first discovered the band on TotalRock radio and instantly became almost like a crazed Back Street Boys fan, is there anything else like Sanguine? Well, maybe, but I haven’t heard it so no! Technically I heard the name Sanguine due to a scheduled support slot with Sad Season, featuring Mikee of SikTh, though due to a naff PC at the time, I didn’t bother having a look. Big mistake! Sanguine quickly became my obsession of 2008 and I managed to bag a show in January 09 at The Gaff (London). I tried not to get my hopes up, not because I thought they would disappoint, just cuz that’s what I do, either you don’t get disappointed or you have a better time. But that failed and I couldn’t wait, luckily they do kick ass live too.

Now onto the review! Sure I am biased as I love the band, but obviously I wouldn’t like them if they weren’t good! The title track, Live Consume Drive, kicks straight in, no messing about. The guitars sound fantastically chuggy it makes me indulge with my bass, not that i can play, but the riffs are that tasty and inviting I feel the need vent the energy created. The drumming is what I like to call ‘a good frame’. If you compare music to a bed, the frame holds it all together, and a good one doesn’t squeak when you rock it, a solid rhythm and effective composure. This leaves me left with the vocals and I don’t think I can give Tarin justice. If you ever needed proof demons were angels, here it is! Sure woman can scream/growl, but there’s something more than the average scream here. This is then accompanied by angelic vocals to amazement of not only the ranges achieved but the ability to switch between the two styles so flippantly. I am in absolute ore of the vocals especially in tracks such as Simplify and Territory, the tracks have great energy and emotion, which is a great achievement to capture on record, and as a bonus, if buy buy the physical copy of this EP, you also get a DVD, which includes the video for the title track, written and created by the band themselves. I’m really impressed with the quality, it looks fantastic, especially for a home made video! kudos where due! nothing else i can say but…
★★★★★

Tina says…
I remember when Nik first sent me a link to the Sanguine myspace page and I was pretty impressed by what I heard.

The title track of Sanguine’s EP, Live Consume Drive opens with a thrashy burst of screaming vocals and guitar. Immediately you are drawn into the sheer energy of this band (an energy that doesn’t falter at all across the 3 tracks on offer) and it’s easy to see why they are quickly gaining critical acclaim within the metal scene. This EP provides a slick mix of thrashy guitars, hard-hitting, tight drum-beats and stunning vocals. Tarin’s ability to fluctuate seamlessly between screaming and singing in somewhat sultry tones is, to say the least, impressive! And to add to her vocal talents she’s also a very foxy lady!

For me, Sanguine are definitely one to look out for live.
★★★★★

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2009
05.09

inthismoment_thedreamThis again, is one of those bands I’ve discovered on Totalrock radio. I’ve heard Forever several times and I liked the vocals… a lot. Forever is an catchy and easy to get into tune  with great female vocals and few nice riffs and a short but well performed solo.

But I had to hear more, so I got the  latest album of their called The Dream. I was expecting more of the same as the song that set me on this band. And I was getting  it,  I did enjoy the  first 5 songs but  the problem with more of the same is it doesn’t have the same  wow effect.

That is until track #6, Her Kiss which immediately reminded me of Lacuna Coil a powerhouse in the female fronted metal  movement.  Not only vocally but also instrumentally this tune sets a different tone. Especially near the end when one of the coolest female grunts I’ve heard in quite a while blast through my speakers and snaps my attention right back to this album.

The album continues with a combination of more  poppy You Always Believed, slower  ballad’s like In To The Light and the title-track  The Dream and  powerful grunt-ridden metal tracks such as the excellent The Great Divide.

I don’t believe in giving scores to albums,  my mood, other artists I currently listen to etc… all play a part in how much I like an album. Giving it a score  that I could totally disagree with when I hear this album again months or years later would just be wrong. I liked it, it’s  not going to end up in my  list of best albums ever, I’m not going to listen to it every day for weeks. But I’ll also not forget it and If I do, I’m sure on rediscovering it I’ll like it as much as I do now.

PJ,

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